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¸Å³â ¼ö´É ½ÃÇè¿¡ 2~3¹®Ç×¾¿ ÃâÁ¦µÇ°í ÀÖ´Ù. ²ÙÁØÈ÷ º¯È­¾øÀÌ ÃâÁ¦µÇ´Â À¯ÇüÀ¸·Î, Àå¹®¿¡ Æ÷ÇԵŠÃâÁ¦µÇ±âµµ ÇÑ´Ù. Á¦¸ñ Ãß·Ð ¹®Á¦¸¦ Ç® ¶§¿¡´Â ¿ì¼± ±ÛÀÇ ±¸¼º»ó Ư¡(¿­°Å, ´ëÁ¶, ¿¹½Ã µî)¿¡ À¯ÀÇÇϰí ÁÖÁ¦¹®À» ã¾Æ ±ÛÀÇ ÁÖÁ¦³ª ¿äÁö¸¦ ÆÄ¾ÇÇÑ ´ÙÀ½, ±×°ÍÀ» ÇÔÃàÀû¡¤»ó¡ÀûÀ¸·Î Ç¥ÇöÇÑ ¾î±¸¸¦ ±ÛÀÇ Á¦¸ñÀ¸·Î °í¸£´Â °ÍÀÌ ÀϹÝÀûÀÎ ¹æ¹ýÀÌ´Ù. ±×·¯³ª ¿äÁò Áö¹®¿¡¼­´Â ÁÖÁ¦¹®ÀÌ Æ¯º°È÷ ³ªÅ¸³ª ÀÖÁö ¾ÊÀº ±ÛÀÌ ÀÚÁÖ ÃâÁ¦°¡ µÇ°í ÀÖ´Ù. ÀÌ ¶§´Â Àüü È帧°ú ¼¼ºÎ »çÇ×À» Á¾ÇÕÇØ ±ÛÀÇ ÇÙ½ÉÀ» »ó¡ÀûÀ¸·Î ºÎ°¢½Ãų ¼ö ÀÖ´Â °ÍÀ» ¼±ÅÃÇØ¾ß ÇÑ´Ù. ¼±ÅÃÁö¿¡¼­ ´äÀ» °í¸¦ ¶§´Â Àüü ³»¿ëÀÇ ¹üÀ§¸¦ ¸íÈ®È÷ ÆÄ¾ÇÇØ ³Ê¹« °³°ýÀûÀÎ °ÍÀ̳ª Áö¿±ÀûÀÎ °ÍÀº ÇÇÇØ¾ß ÇÑ´Ù.



¿¹¹®=´ÙÀ½ ±ÛÀÇ Á¦¸ñÀ¸·Î °¡Àå ÀûÀýÇÑ °ÍÀ» °í¸£½Ã¿À.(06³â 41¹ø)

The most satisfying and expressive drawing is done with the active engagement of the entire body. Your hand is connected to your whole arm, the arm to the torso, supported by your feet on the floor. To awaken the active engagement of your whole body in drawing, try the following: Begin by drawing small circles in space with each of your fingers. Then move your hands in circles around the wrist. Next, make bigger circles with your forearms. And finally, make giant swinging arm circles. Now you see how your entire body can be used in the activity of drawing.

*torso: ¸öÅë

¨ç Drawing Body Parts ¨è Power of Mind Control

¨é Use of Fingers in Drawing¨ê Drawing with the Whole Body

¨ë Physical Movement and Fitness



Ç®ÀÌ=ù ¹®Àå¿¡¼­ '¸ö Àüü¸¦ »ç¿ëÇØ ±×¸²À» ±×¸°´Ù'¶ó´Â ¹®ÀåÀÌ Á¦½ÃµÇ°í ±× ´ÙÀ½ Àü°³µÇ´Â ¸ðµç ³»¿ëÀÌ ±×¿¡ ´ëÇÑ ±¸Ã¼ÀûÀÌ°í »ç½ÇÀûÀÎ ¼³¸íÀ» Çϰí ÀÖÀ¸¹Ç·Î ¨êÀÇ 'Drawing with the Whole Body'°¡ Á¦¸ñÀ¸·Î °¡Àå ÀûÀýÇÏ´Ù. ³ª¸ÓÁö ¼±ÅÃÁö´Â Áö¹®¿¡¼­ ¾ð±ÞµÈ ´Ü¾î¸¦ Æ÷ÇÔÇϰí ÀÖÀ¸³ª ¹üÀ§°¡ Áö¿±ÀûÀ̰ųª °³°ýÀûÀ̶ó Á¤´äÀ¸·Î ¼±ÅÃÇÒ ¼ö ¾ø´Ù.



Áö¹® ÇØ¼®=°¡Àå ¸¸Á·½º·´°í Ç¥ÇöÀÌ Ç³ºÎÇÑ ±×¸²Àº ¸ö Àüü¸¦ ´Éµ¿Àû Âü¿©½ÃÄÑ ÀÌ·ç¾îÁø´Ù. ´ç½ÅÀÇ ¼ÕÀº ¹Ù´Ú¿¡ ¼­ ÀÖ´Â ¹ß¿¡ ÀÇÇØ ¶°¹ÞÃÄÁ®¼­ ´ç½ÅÀÇ ÆÈ Àüü, ÆÈ¿¡¼­ ¸öÅë±îÁö ¿¬°áµÇ¾î ÀÖ´Ù. ±×¸²À» ±×¸± ¶§ ¸ö Àüü¸¦ ´Éµ¿ÀûÀ¸·Î Âü¿©½Ã۱â À§ÇØ ´ÙÀ½°ú °°ÀÌ ½ÃµµÇØ º¸¶ó. ´ç½ÅÀÇ ¼Õ°¡¶ôÀ» °¡Áö°í °ø°£¿¡ ÀÛÀº ¿øÀ» ±×¸®¸ç ½ÃÀÛÇ϶ó. ±×¸®°í ¼Õ¸ñ ÁÖÀ§¸¦ ¿øÀ» ±×¸®¸ç ¿òÁ÷¿©¶ó. ´ÙÀ½¿¡ ÆÈ¶ÒÀ» °¡Áö°í Á» ´õ Å« ¿øÀ» ±×·Á¶ó. ±×¸®°í ¸¶Áö¸·À¸·Î °Å´ëÇÑ ¿øÀ» ÆÈÀ» µ¹·Á ¸¸µé¾î¶ó. Áö±Ý ´ç½ÅÀº ´ç½ÅÀÇ Àüü ¸öÀÌ ±×¸²À» ±×¸®´Â ÀÏ¿¡ ¾î¶»°Ô »ç¿ëµÇ´Â°¡¸¦ º¼ ¼ö°¡ ÀÖ´Ù.



½ÇÀü¹®Á¦= ´ÙÀ½ ±ÛÀÇ Á¦¸ñÀ¸·Î °¡Àå ÀûÀýÇÑ °ÍÀ» °í¸£½Ã¿À. (05³â 43¹ø)

Michelangelo looked at a block of marble and saw a man. Elffers looks at a lemon and sees a pig. Growing up in Holland, he was taught to clear his plate; playing with food was forbidden. As an adult, the artist visited Japan, where, he recalls, food was almost too beautiful, and without humor. Food should be a joy. With his edible produce sculptures, Elffers hopes to share that joy. "If you give people permission to see the pig in the lemon, they will forever see animals in fruit or vegetables," he says. "Americans carve pumpkins but they never use the stem. It's such an expressive nose!" He urges pumpkin buyers to create their own zoos this Halloween. Elffers says, "Shop with an open mind."

¨ç Fun with Food ¨è Cooking with Lemons

¨é Humor in Japanese Food¨ê Halloween Eating Tips

¨ë Shopping for Health Food



Ç®ÀÌ='Food should be a joy'¶ó°í ÇÑ ElffersÀÇ ¸»¿¡ ÀÌ ±ÛÀÇ ³»¿ëÀÌ Àß ´ã°Ü ÀÖ´Ù. ±×°¡ ·¹¸óÀ¸·Î µÅÁö¸¦ ¸¸µç °ÍÀÌÁö ¿ä¸®ÇÑ °ÍÀº ¾Æ´Ï´Ù. ±×¸®°í ÀϺ» À½½ÄÀº ¾Æ¸§´äÁö¸¸ Àç¹Ì¾ø´Ù°í ÇÑ ³»¿ë°ú ÇÒ·ÎÀ©ÀÇ È£¹Úµµ Àç¹ÌÀÖ°Ô ¸¸µé¾îº¸¶ó´Â °ÍÀº ÁÖÁ¦¸¦ ºÎ°¡ÀûÀ¸·Î ¼³¸íÇϱâ À§ÇÑ ³»¿ëÀ̾úÀ¸¸ç, °Ç°­ À½½ÄÀº ÀüÇô ¾ð±ÞµÇÁö ¾Ê¾Ò´Ù. µû¶ó¼­ ¨çÀÇ 'Fun with Food°¡ Á¦¸ñÀ¸·Î °¡Àå ÀûÀýÇÏ´Ù.
/ ÀԷ½ð£: 2008. 07.22. 15:18